Thomas Girtin

English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms


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Thomas Girtin Guisborough Priory, Yorkshire oil


Guisborough Priory, Yorkshire
Painting ID::  94493
Guisborough Priory, Yorkshire
1801(1801) cjr
1801(1801) cjr
   
   
     

Thomas Girtin Kirkstall Abbey, Yorkshire oil


Kirkstall Abbey, Yorkshire
Painting ID::  94494
Kirkstall Abbey, Yorkshire
1801(1801) Dimensions 30,5 x 52 cm cjr
1801(1801) _ Dimensions_30,5_x_52_cm _ cjr
   
   
     

Thomas Girtin In the Scotch Borders oil


In the Scotch Borders
Painting ID::  94495
In the Scotch Borders
cjr
cjr
   
   
     

Thomas Girtin Near Bolton Abbey oil


Near Bolton Abbey
Painting ID::  94496
Near Bolton Abbey
33 x 52 cm cjr
33_x_52_cm cjr
   
   
     

Thomas Girtin Rue Saint-Denis in Paris oil


Rue Saint-Denis in Paris
Painting ID::  94497
Rue Saint-Denis in Paris
1802(1802) Dimensions Deutsch: 39 x 49 cm cjr
1802(1802) _ Dimensions_Deutsch:_39_x_49_cm_ cjr
   
   
     

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     Thomas Girtin
     English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms

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